The newest work of Tugo Sušnik contains golden, silver and fluorescent colours and can therefore be interpreted as offensive since these colours – in different painting and advertising concepts – are typically for the most aggressive visual daub. But it is this intentionally used colour concept that separates the artist's work from daub. The use of silver and golden effects, which enable a completely different image, reminds us of daguerreotypes, which can be observed as a positive or a negative – depends from which side we are observing the work. We are dealing with a concept that can be witnessed in various spectra; heroes in animated films, little catholic figures, where we can see Jesus if we look at it from one side, when we change the position we see Mary. What we cannot see is the moment of transition itself.
Robert Inhof


















