Her attachment to figuralism in the sense of the dramatically grotesque deformation of the human body or mythological creatures in her early sculptures, created in the early nineties, this time around in her tiny small sculptures, created spontaneously and formally perfect in the shape of “contemporary bronzes”, this attachment of hers is now disclosed through a very intimate, enraptured, delicate and personally experienced comprehension of the cruelty and tragedy of human existence, alienation and split of ones self into the real and imaginary world on the one hand and the primordial nostalgia as regards the place of existence.a.